"... when we had finished four tracks or so, the material was becoming
very visual. We kept on seeing visual elements popping up, such as a flowercanon
for Werchter to shoot flowers instead of confetti. The clips for the songs were
immediately materialised in front of our eyes. That's also why the album turned
out to be quite psychedelic"
"As far as producers go, the good ones come in very short supply
here in Belgium. You gan either go to Tom Barman, but he doesn't have time to
do it, or you can go to Raymond Van Het Groenewoud or Jean Blaute, but than it
turns out really bad"
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